Brekekekexkoaxkoax, Christian Di Vito – Supernatural Creatures

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Genre: Drones, Ambient

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Josh Ronsen formed Brekekekexkoaxkoax as a vehicle for solo prepared guitar performances in 1996, but collaborations with other artists as equals started on day one. Rick Reed first projected his film work at the first Brekekekexkoaxkoax performance.
Other collaborators have been John Grzinich, Michael Northam, Jason Pierce, Steev Hise and three improvising quartets of multi-instrumentalists (Jacob Green, Bill Thompson, Vanessa Arn), (Jacob Green, Genevieve Walsh, Glen Nuckolls) and (Jacob Green, Thomas Fang and Greg Headley). Josh Russell, Travis Weller, Mari Akita, Alex Keller, Brent Fariss, and Nick Hennies have also contributed in special projects.
A Brekekekexkoaxkoax experience can include noise, light, movement, blindfolds, handphones (hand-mounted speakers), literature, performance art, foil, string. There is no common thread of reason which links all Brekekekexkoaxkoax events. Instead, each one opens new methods of creativity, exploring new modes of internal (unconscious?) desire.
Christian Di Vito was born in 1979 and spent his adolescence in the Rome hardcore – punk scene.
At the time he played electric bass, with an interest in electronic music, emulating artists of Warp and Rephlex labels.
In the early years of the new millennium Christian Di Vito began to create experiments with new sounds; heavily influenced by Xenakis, Scelsi, Ligeti he started a more mature musical research, taking care of a personal aesthetic of sound and creating meticulous compositions.
In the last years he collaborated with Daniele Santini, Delirio Sonoro and released split albums with Maurizio Bianchi and Noise Workshop.

Maurizio Bianchi / Christian Di Vito – Submerged Sequencycles

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Genre: Industrial, Noise, Experimental electronic

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Submerged Sequencycles is a split album by Maurizio Bianchi and Christian Di Vito.
Maurizio Bianchi is an Italian composer of industrial music, originating from Milan.
Bianchi began to release his own cassettes under the name of Sacher-Pelz in August 1979 inspired by the music of Tangerine Dream, Conrad Schnitzler and Throbbing Gristle.
He has been hailed as a pioneer of rhythmic noise and power electronics, creating harsh, disturbing, and fascinating works utilizing primitive drum machine rhythms, harsh distortion, and heavily modified found sounds.
Christian Di Vito was born in 1979 and spent his adolescence in the Rome hardcore – punk scene.
At the time he played electric bass, with an interest in electronic music, emulating artists of Warp and Rephlex labels.
In the early years of the new millennium Christian Di Vito began to create experiments with new sounds; heavily influenced by Xenakis, Scelsi, Ligeti he started a more mature musical research, taking care of a personal aesthetic of sound and creating meticulous compositions.
Di Vito has a big archive of field recordings, an activity he do also on an extra-musical level. He currently lives on the South coast of Rome.

The Best of Contemporary Electronic Music

THE BEST OF C1

Genre: Experimental Electronic, Electronica, Ambient, Avantgarde

Featuring: Mark O’Leary, Christian Di Vito, Daniele Santini, Brekekekexkoaxkoax, Model Russell, [p]v.

Mp3 Album Available on the Best Internet Retailers